lizzo on being krista tippett

if we declared a clean night, if we stopped being terrified, if we launched our demands into the sky, made ourselves so big. Thats the work of poetry in general, right? adrienne maree brown "We are in a time of new suns" On Being with Krista Tippett Society & Culture "What a time to be alive," adrienne maree brown has written. Limn: Yeah. Poems all come to me differently. And I think its in that category. We say, Oh, I want to write about this flower. And then we say, Why this flower? But I mean, Ive listened to every podcast shes done, so Im aware. if we declared a clean night, if we stopped being terrified. We nurture virtues that build muscle memory towards sustained new realities including generous listening, embodied presence, and transformative relationship across backgrounds and lived experience. But I want you to read it second, because what I found in Bright Dead Things, which was a couple of years before that, certainly pre-pandemic, in the before times, was the way you wrote, a way that you spoke of the same story of yourself. [laughter] But I think you are a prodigy for growing older and wiser. We prioritize busyness. What happens after we die? And she says, Well, you die, and you get to be part of the Earth, and you get to be part of what happens next. And it was just a very sort of matter-of-fact way of looking at the world. And I feel like theres a level of mystery thats allowed in the poem that feels like, Okay, I can maybe read this into it, I can put myself into it, and it becomes sort of its own thing. rolling their trash bins out, after all of this is over? We live in a world in love with the form of words that is an opinion and the way with words that is an argument. bliss before you know Tippett: Right. And that feels like its an active thing as opposed to a finished thing, a closed thing. unpoisoned, the song thats our birthright, The poets brain is always like that, but theres a little I was just doing the wash, and I was like, Casual, warm, and normal. And I was like, Ooh, I could really go for that.. If youre having trouble writing or creating or whatever it is you make, when was the last time you just sat in silence with yourself and listened to what was happening? Harley at seven years old. Limn: Right. You ever think you could cry so hard That arresting notion, and the distinction Rachel Naomi Remen draws between curing and healing, makes this an urgent offering to our world of healing we are all called to receive and to give. Between the ground and the feast is where I live now. That really spoke to me, on my sofa. I feel like our breath is so important to how we move through the world, how we react to things. And its true. What is the thesis word or the wind? At a special TEDPrize@UN, journalist Krista Tippett deconstructs the meaning of compassion through several moving stories, and proposes a new, more attainable definition for the word. We keep forgetting about Antlia, Centaurus, But mostly were forgetting were dead stars too, my mouth is full, of dust and I wish to reclaim the rising, to lean in the spotlight of streetlight with you, toward. I really love . Its that Buddhist, the finger pointing at the moon, right? Join our constellation of listening and living. wind? Sometimes it feels like language and poetry, I often start with sounds. It was interesting to me to realize how people turned to you in pandemic because of who you are, it sounds like. I just set my wash settings to who Id like to be in 2023: Casual, Warm, Normal., Limn: Yeah, that was true. Definitely. I think thats something we didnt know how to talk about. Its so interesting because I feel like one of the things as you age, as an artist, as a human being, you start to rethink the stories that people have told you and start to wonder what was useful and what was not useful. Jen Bailey, and so many of you. And I know that when I discovered it for myself as a teenager that I thought, Oh, this is more like music where its like something is expressing itself to you and you are expressing yourself to it. Yeah. And sometimes when youre going through it, you can kind of see the mono-crop of vineyards that its become. And it wasnt until really, when I was writing that poem that the word came to me. Tippett: You hosted this, The Slowdown podcast, this great poetry podcast for a while and. Limn: Yeah. Also because so much of whats been and again, its not just in the past, what has happened, has been happening below the level of consciousness in our bodies. We think were divided by issues, arguing about conflicting facts. Also: Kristin Brogdon, Lindsey Siders, Brad Kern, John Marks, Emery Snow and the entire staff at both Northrop and the Ted Mann Concert Hall of the University of Minnesota. s wisdom and her poetry a refreshing, full-body experience of how this way with words and sound and silence teaches us about being human at all times, but especially now. The Hearthland Foundation. But we dont need to belabor that. Im really glad youre enjoying it because theres many more decades. And poetry, and poetry. [laughter] But I mean, Ive listened to every podcast shes done, so Im aware. Few books have been more eagerly passed from hand to hand with delight in these last years than Robin Wall Kimmerers Braiding Sweetgrass. My body is for me.. I remember having this experience I was sort of very deeply alone during the early days of the pandemic when my husbands work brought him to another state. Perhaps, has an unsung third stanza, something brutal, snaking underneath us as we absentmindly sing, the high notes with a beer sloshing in the stands, hoping our team wins. is an independent nonprofit production of The On Being Project. Actually, thats in Bright Dead Things. But at a deeper level, she says, we are trapped in a pattern of distress known as high conflict where the conflict itself has become the point, and it sweeps everything into its vortex. Tippett: I wrote in my notes, just my little note about what this was about, recycling and the meaning of it all. I dont think thats [laughter]. I would say about 50 percent, maybe 60 percent of it was written during the pandemic. Foundations 4: Calling and Wholeness On Being with Krista Tippett Society & Culture In the modern western world, vocation was equated with work. And its true. This is like a self-care poem. Yeah, Ive got a lot of feelings moving through me. In fact, Krista interviewed the wise and wonderful Ocean Vuong right on the cusp of that turning, in March 2020, in a joyful and crowded room full of podcasters in Brooklyn. If you had thought about it And you said that this would be the poem that would mean that you would never be Poet Laureate. Limn: Yeah, I was convinced. Two families, two different like water, elemental, and best when its humbled, What was it? Because I love this poem, and no one has ever asked me to read this poem. Now, somethings, breaking always on the skyline, falling over We are fluent in the story of our time marked by catastrophe and dysfunction. And I feel like poetry makes the world for that experience, as opposed to: Im fine., Tippett: [laughs] Yeah. Amidst all of the perspectives and arguments around our ecological future, this much is true: we are not in the natural world we are part of it. I remember writing this poem because I really love the word lover, and its a kind of polarizing word. My mother says, Oh yeah, you say that now.. I think there are things we all learned also. Nov 19, 2022, 8:00pm PST. how the wind shakes a tree in a storm to the field, something to get through before Exactly. I think coming back to this idea that poetry is as embodied as it is linguistic. Journalist, National Humanities Medalist, and bestselling author Krista Tippett has created a singular space for reflection and conversation in American and global public life. I feel like the short poem, maybe read that one, the After the Fire poem is such a wonderful example of so much of what weve been talking about, how poetry can speak to something that is impossible to speak about. We want to do that where we live, and we want to do it walking alongside others.. Tune in now. A student of change and of how groups change together. [audience laughs] And he had a little cage, I would make sure he was And he would get bundled up and carried from house to house. This hour, Krista draws out her creative and pragmatic inquiry: Could we let ourselves be led by what we already know how to do, and by what we have it in us to save? is the 24th Poet Laureate of the United States. Starting Thursday, February 2: three months of soaring new On Being conversations, with an eye towards emergence. It makes room for all of these things that can also be It holds all the truths at once too. Black bark, slick yellow leaves, a kind of stillness that feels, We point out the stars that make Orion as we take out. by the crane. I would say about 50 percent, maybe 60 percent of it was written during the pandemic. If you would like to hear an uplifting message at a time of global difficulty, come hear Krista Tippett speak at Central Congregational Church in Providence RI at 6:30 pm, Saturday, December 3. Thats page 95. And I kept thinking how I missed all my family, and I missed my father and his wife, and I missed my mother and stepfather. inward and the looking up, enough of the gun, the ground and the feast is where I live now. She is a former host of the poetry podcast. , and its a villanelle, so its got a very strict rhyme scheme. Tippett: Just back to this idea that there is this organic automatically breathing thing of which were part, and that we even have to rediscover that. And so thats really a lot of how I was raised. Its a prose poem. Limn: And to feel that moment of everyone recognizing what it is to kind of look out for one another and have to do that in the antithesis of who we are, which was to separate. the nectar lovers, and we Tippett: I also think aging is underrated. The Fetzer Institute, supporting a movement of organizations applying spiritual solutions to societys toughest problems. And then what we find in the second poem is a kind of evolution. "Right now we are in a fast river together every day there are changes that seemed unimaginable until they occurred." adrienne maree brown and others use many . Limn: Yeah. Tippett: And then Joint Custody from The Hurting Kind. Suppose its easy to slip And enough so that actually, as I would always sort of interrogate her about her beliefs and, Do you think this, do you think that? But I think you are a prodigy for growing older and wiser. Tippett: as you said, to give instruction or answers, where to give answers would be to disrespect the gravity of the questions. the date at the top of a letter; though It wasnt functional in a way. So we have to do this another time. Tippett: So I feel like the last one Id like for you to read for us is A New National Anthem, which you read at your inauguration as Poet Laureate. She is a former host of the poetry podcast The Slowdown, and she teaches in the MFA program at Queens University of Charlotte, in North Carolina. I mean, isnt this therapeutic also for us all to laugh about this now, also to know that we can laugh about it now? Come back, I feel like it brings us back to wholeness somehow. She loves the ocean. by being not a witness, Also because so much of whats been and again, its not just in the past, what has happened, has been happening below the level of consciousness in our bodies. So it had this kind of wonderful way of existing in an aliveness of a language, aliveness of a second language as opposed to just sort of a need to get something or to use. , and she teaches in the MFA program at Queens University of Charlotte, in North Carolina. by even the ageless woods, the shortgrass plains, for the water to stop shivering out of the Ive been reading Ada Limn for years, and was so happy when she was named the 24th Poet Laureate of the United States. Clean night, if we stopped Being terrified find in the second is! If we declared a clean night, if we declared a clean night, if declared. 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