what was controversial about berlioz's symphonie fantastique

Did you know that we have over 70,000 essays on 3,000 topics in our Hector Berlioz was a true musical revolutionary whose work seemed as turbulent as the political climate of 19th-century France. This movement is representative of the gala ball where he once again sees his beloved. To which Boulez could only add: "There are awkward harmonies in Berlioz that make one scream; it is easy to see that he plucked out his chords on the guitar and could hear almost nothing.". And from all this arises an admirable work, completely original in style, in sonority, in every constituent factor, and utterly different from anything that had been previously conceived and executed. This is represented as a mundaness and indefinable searching or yearning, until suddenly, he meets her and his longing abruptly ceases and is replaced by volcanic love. There are times too when Berlioz seems to generate his compositional substance by superimposing not only melody and harmony, but also rhythm and orchestration as if they were semi-autonomous elements; developing obsessive rhythmic ostinatos or nervy cross-rhythms with an inventiveness that looks forward to Stravinsky who himself was prepared to concede that, orchestrally, Berlioz "had the perfect imagination of each new instrument he used, as well as the knowledge of its technique". However, their marriage became increasingly bitter, the obsession faded away and they eventually separated after 7 years of unhappiness. Because of this Symphonie Fantastique" "remains one of his most characteristic productions. " These performances are as wild and diverse as Berliozs symphony. Type your requirements and I'll connect --Ludwig Brne, German satirist and political writer, How can one deny abundance and diversity of ideas to the composer who, in a single work, could depict equally well the vague des passions, the intoxication of a ball, the mysterious harmonies of nature, the terrors of an execution, and could then transport us into the midst of a Sabbath, where we find the dismal fantasy of Macbeths witches conjoined with the satanic orgies of the Brocken? Our driving principle is to operate with a duty of care for all our communityartists, audiences, and staff alike. What was the July Revolution? Symphonie fantastique, Op. Keeping this cookie enabled helps us to improve our website. The tenary (B-A-B-A) Begins with theme B in brass, then theme A pizzicato strings, alternating again to B in Brass then Theme A. Privacy Policy | Terms of Use |SFSymphony.org |SFSkids.org | Contact Us As mentioned, the Symphonie Fantastique tells a story: each movement depicts an episode in the protagonist's life (a young musician) that is described by Berlioz in the program notes to the 1845 score. In its widest definition, romanticism in music refers to "interest in novel and strange elements of artistic effect. A shepherds' duet inspires anxiety movement III The creatures of the underworld introduce the musician's eternal resting place movement V Last updated May 13, 2021 | Published on Aug 24, 2020, Conducting Dukas: The Sorcerer's Apprentice, Rimsky-Korsakov: Scheherazade, 2nd movement [analysis], Pass the baton: a conducting video course. Today it is a year since I saw HER for the last time Unhappy woman, how I loved you! Most Honorable Character: Hector or Achilles? Cookie information is stored in your browser and performs functions such as recognizing you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful. Bard CollegePO Box 5000 Annandale-on-Hudson New York 12504-5000. This music relates an abstractness that is symbolic of the mind in a semi- conscious state.Bibliography: This essay was written by a fellow student. Symphonie Fantastique, by Hector Berlioz is considered by many critics to represent the most complete expression of Berlioz's romantic aesthetic. At the mid-section of this movement , it begins to take on an abstract quality. How utterly loathsome all this is to me, I dont have to tell you. Hector Is Beat by Achilles and Asks Him for Mercy in His Death. View Program Notes. Let us help you get a good grade on your paper. database? In fact, Berlioz himself was aware of it and he put a note in the score, urging conductors to rehearse this passage again and again. Hector Berlioz's dates. After all, hearing Berlioz conduct his dramatic symphony Romeo et Juliette and Grande Symphonie funebre et triomphale had been revelations of his, otherwise, none-too-happy sojourn in Paris between 1839 and 1842. A fortnight later, to the pianist and composer Ferdinand Hiller: Can you tell me what it is, this capacity for emotion, this force of suffering that is wearing me out? your own essay or use it as a source, but you need No wonder, then, that only three years before the bi-centenary of Berlioz's birth, the writings and utterances of such eminent Berliozians as David Cairns, who has just completed his magisterial biography, Professor Julian Rushton, author of the most searching study of Berlioz's musical language, and Sir Colin Davis, as he embarks on his latest Berlioz cycle, retain the embattled conviction of a cause. The Romantic Composers. To see ones most cherished ideas debased and expressed in perverted caricatures would enrage anyone. Clearly autobiographical, as Leonard Bernstein put it: Berlioz tells it like it is. The Symphonie fantastique is a revolutionary work that has become one of the most popular symphonies in the repertoire; a subjective musical autobiography based on a love obsession that depicts seduction and drug-induced hallucination.It inaugurated an aesthetic based on hallucinatory colors, unusual timbres, sudden shifts in mood and dynamics, and surreal structuresa "psychological . Download my free guide today and start speeding up your score learning in 5 easy steps. Symphonie fantastique, Op. If on the other hand it turned out well, everything Ive suffered would enhance my musical ideas. 1803 - 1869. Need a custom essay sample written specially to meet your Keep in mind that this piece is a constant exchange of keeping control and letting go between the conductor and the orchestra: as a conductor you need to know exactly where you are needed and where you would be only getting in the way. In due course, he would find an encouraging mentor in the minor composer Jean Francois Lesueur and take lessons in fugue at the Paris Conservatoire. $192.42 + $19.24 shipping. As Berlioz himself wrote: The author imagines that a young musician, afflicted by the sickness of spirit which a famous writer has called the vagueness of passions (le vague des passions), sees for the first time a woman who unites all the charms of the ideal person his imagination was dreaming of and falls desperately in love with her. Berlioz moved the symphony into something altogether more like story-telling. to his idealized visions. The exotic, the unusual, the fanciful and the imaginatively dynamic are all heralds of the romantic aesthetic. On the lines provided, correctly capitalize the following words and phrases. The artist's perfect beloved transforms into a whore and is cast into Hell (symbolically, perhaps, for Smithson was rumoured to be having an affair with her manager at the time). Oh my friend, I am indeed wretched inexpressibly! Winner of a fellowship at the Bayreuther Festspiele, Mr. Griglios conducting has been praised for his energy and fine details. The 5th movement: Dream of a Witchs Sabbath. He imagines himself at a witchs Sabbath surround by ghastly spirits who have gathered for his funeral. (Mason, 1906, p. 276), and one which fully realizes the tenants of romanticism as described above. --Franz Liszt, At the same time he hears the distorted cantus firmus of the Dies Irae, to which the witches are dancing. A new music service with official albums, singles, videos, remixes, live performances and more for Android, iOS and desktop. In a fit of despair he poisons himself with opium [the fourth movement, the March to the Scaffold]; but instead of killing him, the narcotic induces a horrific vision, in which he believes he has murdered the loved one, has been condemned to death, and witnesses his own execution. 2011 San Francisco Symphony. Till then it had appeared only in a graceful guise, but now it has become a vulgar tavern tune, trivial and base; the beloved object has come to the sabbath to take part in her victims funeral. Yet out of this very disjunction of melody and harmony, Berlioz was able to create substantial spans of continuity and contrast by harmonising the melody in several different ways at various stages of a piece. Artist that he was, he found a way to channel the emotional upheaval of l'affaire Smithson into something he could control: a "fantastic symphony" that took as its subject the experiences of a young musician in love. ), 3 (finale), 9 (finale), Shostakovich 5 (finale) Prokofiev 1 Mozart 41 (finale) From Haydn to Shostakovich, the symphony as a genre has undergone enormous transformation. He based the program on his own impassioned life and transferred his memoirs into his best- known program symphony. Just talk to our smart assistant Amy and she'll connect you with the best The symphonie fantastique fourth movement relates a quality of energy that is consistant with inapropriate mood changes that can sometimes be captured when in a dream-like state. But the familiar Idee fixe is no longer the reserved and noble melody of the prior movements. cite it correctly. number: 206095338, E-mail us: His beloved, who has shown herself unworthy, appears also in the Walpurgisnacht, but not like Gretchen in Faust, but bold, witch-like. The composition is also notable for its . harmony in order to life, Berlioz Symphonie Fantastique. The second movement, an elegant waltz, evokes a ball where the lover again encounters the woman he can never possess, now in another mans arms. In conclusion, Berlioz's Symphonie Fantastique is a quintessential example of romantic music, falling squarely within both the historical and aesthetic contexts generally attributed to the romantic movement in classical music by scholars. We use cookies to give you the best experience possible. Part of TN's Fisher Center concert series Just in time for Valentine's Day, Leon Botstein and The Orchestra Now kick off the spring 2023 season with an ultra-Romantic concert featuring Berlioz's epic tale of an artist's passion for a beautiful woman, Symphonie fantastique, and Henselt's remarkably beautiful Piano Concerto, which was debuted by Clara Schumann in 1844. All rights reserved. you to an academic expert within 3 minutes. You can find out more about which cookies we are using or switch them off in settings. March to the scaffold; immense procession of headsmen, soldiers and populace. $30.07 + $23.52 shipping. Get a Britannica Premium subscription and gain access to exclusive content. The character development in Symphonie fantastique is realized musically through the thematic development of the_______. In this chapter, a method for modeling the operation of a system by describing its Due on Sale Clause. Why did the office of Vice President become more important with more responsibilities as the twentieth century progressed? Berlioz provided his own preface and program notes for each movement of the work. The transitions from this state of dreamy melancholy, interrupted by occasional upsurges of aimless joy, to delirious passion, with its outbursts of fury and jealousy, its returns of tenderness, its tears, its religious consolations all this forms the subject of the first movement.. A giant of classical music, Herbert von Karajan left an indelible if controversial mark on this history of classical music. en cinq parties ( Fantastical Symphony: An Episode in the Life of an Artist, in Five Parts) Op. --Robert Schumann, In the last movement he shows us the Witchs Sabbath, just as in Goethes Faust, and it is as real as can be. To see ones most cherished ideas debased and expressed in perverted caricatures would enrage anyone. His last picture of Harriet is in stark contrast to his first. Describe the political, economic, and cultural climate of Paris in 1830. The melody [of the beloved] reappears for a moment across the themes of the adagio. Although the lover and the beloved are nowhere united in Symphonie fantastique, Berlioz, against all odds, eventually achieved the union in life. He is not a musician at all. The following year, on October 3, 1833, the two were married. berlioz: symphonie fantastique / louis fourestier a. Copyright 2023 service.graduateway.com. His beloved is represented throughout the symphony by the symbolic idee fixe.There are five movements throughout symphony.The program begins with the 1st movement: Reveries, Passions symbolizing the artists life prior to meeting his beloved. The main theme, heard transformed in each . Stravinsky was more specific: "No orchestral skill can hide the fact that Berlioz's basses are sometimes uncertain and the inner harmonic voices unclear and balance is regulated superficially by dynamics." With the first group of symphonists born in the 19th century the Romantic style was fully fledged. Mendelssohn, meeting Berlioz in Rome as early as 1831, dismissed his efforts as "without a spark of talent; groping around in the dark, he deems himself creator of a new world". Hector Berlioz wrote the Symphonie fantastique at the age of 27. --Franz Liszt, At the same time he hears the distorted cantus firmus of the Dies Irae, to which the witches are dancing. Because Symphonie Fantastique deals with the theme of human love, Berlioz is able to give full-flight not only to his aesthetic concepts involving prototypical leit-motifs, but also to a notion of emotional expression which is also thematically integrated in the overall work. [This is the symphonys ide fixe, the melody that appears in all five movements.]. A couple of ideas to bear in mind when youre reading these blazing bits of Berlioziana: this music is simultaneously the most subjective symphony ever composed, in writing out Berliozs hallucinogenically morbid fantasies and unrequited love for the actress Harriet Smithson (whom he married thanks to a later performance of the Symphonie, but at the time of its composition was only an object of far-off longing and terrible desire). On one matter, though, fans and detractors would surely agree: the almost unprecedented circumstances of Berlioz's emergence. The 2nd movement: A Ball. John Eliot Gardiner/Orchestre Rvolutionnaire et Romantique, Colin Davis/Royal Concertgebouw Orchestra, Mariss Jansons/Bavarian Radio Symphony Orchestra, Original reporting and incisive analysis, direct from the Guardian every morning, Delirious desire Berliozs passion for Irish actor Harriet Smithson inspired the Symphonie Fantastique. One such appears to be Herr Hector Berlioz. Let us know if you have suggestions to improve this article (requires login). aisles The aisles of a church Chapter 1 described a system as a set of inter-related components that work together to achieve common objectives. --Felix Mendelssohn, He depicts his passion for an ideal woman, a ball where he meets her, a rural scene in which, to the murmur of distant thunder, the image of the dear one appears to him. Something a little different this week: our symphony is Berlioz's Symphonie Fantastique, a piece that lays legitimate claim to adjectives such as "revolutionary", "radical" and "unprecedented". Wheelchair-Accessible Restrooms Throughout the symphony, the beloved is represented by a brief melodic motif called an idee fixe. This means that every time you visit this website you will need to enable or disable cookies again. Gianmaria Griglio is an intelligent, exceptional musician. By continuing well The unsuspecting actress was not warned about what music was on the program, nor was she aware that Berlioz himself would be there. Free shipping for many products! Historically, the romantic period in classical music is regarded as a finite time-p during which a substantial number of loosely "aligned" composer who enjoyed no overt or demonstrable relationship to any artistic movement flourished. Now there was an honest man. Whether taken into the symphonic process itself by such successors as Mahler and Richard Strauss, or developed even more rigorously as in the Turangalila-symphonie of Messiaen (who regarded Berlioz as simply "Le plus grand compositeur du monde"), the ubiquity of this compositional device today is just one of the reasons why Berlioz still seems so immediate, so controversial, so ever-new. Part One describes a young man who sees and immediately falls in love with the woman of his dreams. Certainly Berliozs most popular work, the Symphonie Fantastique could be defined as the first psychedelic symphony. Berlioz's Symphonie fantastique Symphonie fantastique is an epic for a huge orchestra. Then, suddenly again the Idee fixe appears. This melodic image and its model keep haunting him ceaselessly like a double ide fixe. Generally speaking, keep it clean and simple: the first 6 bars for example can be conducted with your left hand only. Sign up to receive the latest news,updates, and special offers in your inbox. The story is about a love sick, depressed young artist, while in his despair poisons himself with opium. The Cambridge Companion to Berlioz - Peter Bloom 2000-08-24 Still chiefly known as the extravagant composer of the Symphonie fantastique, Berlioz was an artist caught in the crossfire between the academic classicism of the French musical establishment and the romantic modernism of the Parisian musical scene. If one insisted on setting oneself against the mind of the times, against a Zeitgeist that tolerates a burlesque of the Dies irae, one would have to repeat what has been written and said for years against such men as Byron, Heine, Victor Hugo, and Grabbe. In 1903, Debussy went so far as to describe Berlioz as "a monster. Symphonie Fantastique was premiered in 1830 during one of Berliozs periods of intense, pre-nuptial infatuation with Harriet. The performance was well received, and soon afterward Smithson consented at last to meet Berlioz. Scholars Up at least until the 19th century, musicians almost always came to composition by way of youthful performing experience in choirs or - as in the cases of the Gabrielis, Purcells, Couperins and Bachs - because it was the family business. Accessible Seating This film features the storied Maestro conducting the Orchestre de Paris in a performance of Hector Berlioz's similarly storied masterwork, Symphonie fantastique. Friedrich Zelter, composer and Mendelssohns teacher, presents one side of the critical opinion of Berliozs work: hes talking about Berliozs Huit scnes de Faust, which the composer had sent to Goethe, and Goethe passed to Zelter for his assessment. Undeterred, he continued to bombard her with messages but she left Paris without making contact. The introduction ends with an exploding crescendo of a base drum which immediately introduces the 2nd section of theme A of low strings in a slow cautious tempo, and is picked up by violins. Additionally, all-gender restrooms are available at all venues. Information and online booking at www.lso.co.uk. With innovative and often controversial orchestrations, complicated rhythms, and frequent use of huge musical forces, he broke almost every rule in the book and changed music for good. It is a remarkable tribute to the original. Few have ever questioned his special gift for sustained, often strikingly asymmetrical melody, though more have agreed with Ravel's complaint that Berlioz was "the only composer of genius who conceived his melodies without hearing their harmonisation", and that the chords he added afterwards often sounded ad hoc or arbitrary. The story is about a love sick, depressed young artist, while in his despair poisons himself with opium. He was neither the first, nor by any means the last great composer to find Berlioz's musical language, for all its excitement and grandeur, somehow lacking, unschooled, irredeemably odd. He dreams that he has killed his beloved, that he is condemned and led to the scaffold, and that he is witnessing his own execution. Ludwig van Beethoven's Symphony No. Suddenly she appears and her appearance causes an emotional response of sorrowful loneliness. His first opera, Camille Claudel, debuted in 2013 to a great success of audience and critics. idee fixe. There are some people who can only make their presence felt and call attention to their activities by means of noisy puffing, coughing, croaking, and spitting. Berlioz declared in his memoirs that the music portrays the dreams of a young man who, in the aftermath of a failed love affair, has taken an overdose of opium. (A performance planned and rehearsed in May 1830 was cancelled, so its premiere had to wait until December.) Get expert help in mere The 4th movement: March To the Scaffold. Whatever ones feelings theres no doubt that Berlioz used the orchestra and the symphony in a way and with an expressive force that has rarely ever been surpassed. The year-long Berlioz Odyssey, 17 concerts by the London Symphony Orchestra conducted by Sir Colin Davis, opens with a concert performance of `Benvenuto Cellini' at the Barbican (0171-638 8891) on 5 Dec (repeated on 8 & 11 Dec). berlioz: symphonie fantastique 41 The smell of sulphur surrounding Mephistopheles attracts him, so he must needs sneeze and snort till all the instruments of the orchestra leap around in a perfect frenzy only not a hair stirs on Fausts head I shall certainly find an opportunity when I am teaching to make use of this poisonous abscess, this abortion born of horrible incest.. to help you write a unique paper. Write CCC if a word or phrase is already correctly capitalized. The inspiration for Berlioz's Symphonie fantastique was: the actress Harriet Smithson. The tranquil moment of the quiet summer evening alone with the pastoral duet fills his heart with an unfamiliar calm. Restrooms at all locations are wheelchair accessible. The composition is also notable for its expanded orchestration, grander than usual for the early 19th century, and for its innovative use of a recurring themethe so-called ide fixe (fixed idea or obsession)throughout all movements. which distinguishes romantic work from non-romantic works on aesthetic grounds. agora An agora is an open, public space often in the heart of a city. But Hector Berlioz also happened to be one of the most brilliant writers on music; and in his letters he reveals the genesis of this diabolically and passionately inspired work. Family background and education. https://www.britannica.com/topic/Symphonie-fantastique-Op-14, The Kennedy Center - Symphonie Fantastique, Op. The aesthetic principles of romanticism in classical music arise primarily from a willingness to innovate and approach music from interesting and novel viewpoints. Smooth Classics at Seven with Zeb Soanes true. Berlioz was totally struck by her and wrote her an impassioned letter to which she did not reply. That work became Symphonie fantastique: pisode de la vie dun artiste, or simply Symphonie fantastique. As Berlioz himself wrote: "The author imagines . When it was first performed, Berliozs Symphonie fantastique was so novel and so shocking that it immediately caused an uproar. A FREE video series with an analysis of structure, phrasing, and, of course, conducting tips of repertoire works: from Mozart to Brahms, from Beethoven to Debussy. Symphonie fantastique also constituted the largest-scale symphony composed by anyone to that time, with its five movements spanning nearly an hour and a dauntingly large orchestra that employed new wind instrumentssuch as the ophicleide (predecessor of the tuba) and the valve trumpetas well as doubling on the harp and timpani parts. The symphony premiered in Paris on December 5, 1830, and won for Berlioz a reputation as one of the most progressive composers of the era. thunderbolt of program music Berlioz s Symphonie fantastique Before we look at this work by Berlioz let s discuss the various types or genres of program music that we might experience in a concert hall Music Gone Wild Symphonie Fantastique Berlioz December 19th, 2019 - This is a relevant name for connecting the composer of music to a movie that . Educated at home in a remote corner of provincial France, he picked up the rudiments of notation from his father, and of harmony from a stray textbook, while acquiring a reasonable skill on the flute and guitar (though never the piano) from visiting musicians who also helped him to try out his earliest compositional efforts. Find many great new & used options and get the best deals for Berlioz: Symphonie Fantastique Lorin Maazel The Cleveland Orchestra 1982 at the best online prices at eBay! Not a member yet? Berlioz's Symphonie fantastique was so novel and so shockingfor its program and its musicthat it immediately caused an uproar, in the press, from other composers, even from Berlioz's friends. He dreams that he has killed his beloved, he is condemned to die and is being lead to the scaffold. Time lies before me, and I am still living; with life and time great events may come to pass., For some time I have had a descriptive symphony in my brain. References Mason, D. G. (1906). Berlioz's spectacular Symphonie fantastique is truly fantastic, says Jane Jones. With Wagner and List, they advocated music for "Music of the Future," a modern style with progressive chromatic harmony, thematic transformation, cyclical structure, Symphonie fantastique, Romeo and Juliet, Harold in Italy, Les nuits d't, a song cycle (Midsummer Nights), Les Troyens, Beatrice and Benedict, Benvenuto Cellini, program symphonies, concert overtures, orchestral with voice, operas, choral, oratorio, Symphonie fantastique: pisode de la vie d'un artiste, op 14, Displays his imagination, Romantic fascination with bizzare and supernatural, unique orchestration mirrors macabre plot, program symphony In the fall of 1827, at age 24, he attended the opening night of Shakespeares Hamlet, performed in Paris by an English theatre company. But not just any musical idea: this became an obsessive, recurring idea; an ide fixe, or, if you prefer, a leitmotiv. On that night, however, Berlioz was fascinated by more than the work of the revered English poet: he was enchanted by Harriet Smithson, the young Irishwoman who played Ophelia. It's really one long, musical expression of his passion, embodied in the person of a struggling artist who is mired in depression and seeking solace for the fact that his cries of desire go unanswered. Pharapreising and interpretation due to major educational standards released by a particular educational institution as well as tailored to your educational institution if different; Beethoven inspired program symphonies with Pastoral symphony that depicted various aspects of nature and had descriptive titles, Symphonie fantastique background (genre, date, translation, inspiration, performing forces), Program symphony, 1830, translation: Fantastic Symphony: Episode in the Life of an Artist, source of inspiration was his romance with actress Harriet Smithson, revolutionary climate of the time with public executions, controversial literary works, pf of expanded symphony orchestra, A lovesick artist takes opium in an attempt to commit suicide, the drug is too weak to kill and he goes into a deep sleep and sees visions of his beloved (Harriet Smithson), 1st movement: Rveries, Passions (Reveries, Passions) (key, tempo, program), C minor and later mods to C major, largo to allegro at ide fixe, drugged musician remembers the passion his beloved ignited within him, 2nd movement: Un bal (A Ball)(key, tempo, program), A major, Allegro non troppo, 3/8 (waltz), the artist dreams he's attending a ball where he sees his beloved, 3rd movement: Scne aux champs (Scene in the Fields)(key, tempo, program), F major, adagio, 6/8, he escapes to the countryside for peace, he hears the pipes of shepherds and thinks of his beloved and has a sense of foreboding, 4th movement: March au supplice (March to the Scaffold) (key, tempo, program), G minor, Allegretto non troppo, he dreams that in jealousy he killed his beloved, marched to the scaffold for execution, thinks of beloved and severed head tumbles to ground, 5th movement: Songe d'une nuit du sabbat (Dream of a Witches' Sabbath)(key, tempo, program), C minor, Larghetto to Allegro later, the artist sees himself in a witches gathering for his funeral, strange sounds, the beloved melody is no more noble and shy and is now vulgar and grotesque, the beloved joins in the dancing, hears the Dies irae, Mystery and suspense is shown through the colourful orchestration and chromaticism, E flat major, 6/8, transformed from shy and gentle to grotesque, representing how beloved turned into one of the witches (ex. Keeping Score is a registered trademark of the San Francisco Symphony. This jaw-dropping work was made by a 26-year-old composer who had already become a famous, indeed notorious, figure in Parisian musical life. Zelters opinion of the Symphonie Fantastique is not recorded, but the composers and musical luminaries in the audience for the first performance of the piece, when it finally happened on 5 December including Meyerbeer, Spontini and the 19-year-old Franz Liszt were entranced. He composed the music to what would be the disjunct qualities of a dream-like state. See more. Harriet Smithson did not attend the premiere in 1830, but she heard the work in 1832 and realized Berliozs genius and also that she might have been the inspiration for it. You take a trip, you wind up screaming at your own funeral., Portrait of Harriet Smithson by Claude-Marie Dubufe. Symphonie fantastique is a piece of program music that tells the story of an artist gifted with a lively imagination who has poisoned himself with opium in the depths of despair because of hopeless, unrequited love.

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