rigoletto met opera 2022 cast

Even when, moments later, her own father rushed to console her, you could feel the discomfort and even the sense of rejection as she moved away from him. The arias tempo marking is Andante mosso agitato while the preceding tempo indication is a faster one Allegro vivo. Metropolitan Opera House, . GREAT PERFORMANCES AT THE MET "Rigoletto" premieres Friday, June 17 on PBS as part of #PBSForTheArts. and bright color palettes that have served him best in Rossini comedies at the Met are also on display. Lisette has given 68 performances as Gilda. If her high E flat at the end of act two was a touch effortful, she more than made up for it with some ravishingly soft singing in the final scene. Later performances feature four additional stars, with baritones Luca Salsi and Michael Chioldi, soprano Lisette Oropesa, and tenor Stephen Costello taking over as Rigoletto, Gilda, and the Duke. But the finest singing of the evening came from Benjamin Bernheim, making his long-overdue Met debut. Yet, somehow, Andante mosso agitato was decidedly faster than the Allegro Vivo. Bernheim managed to elegantly pull off the high note without killing the momentum of the piece (high notes throughout the night were always secure with clean cutoffs). American set designer Michael Yeargan has designed more than a dozen productions for the Met, including the Gershwins Porgy and Bess, Romo et Juliette, LElisir dAmore, Les Contes dHoffmann, Le Comte Ory, and Il Barbiere di Siviglia. Review: Amid Omicron, the Met Opera Opens a Weimar 'Rigoletto'. The December 31 performance, as well as the January 4, 19, 29, and June 8, 2022, performances of Rigoletto will be broadcast live on Met Opera Radio on Sirius XM Channel 355. She made her debut at the Salzburg Festival in 2019, where she sang the role of Federica in a concert performance ofLuisa Miller. But he's at his best in his scenes at home with Gilda, with a burnished legato and seemingly endless breath. She served as music director and chief conductor of Staatsoper Hannover between 2011 and 2016, and music director of Theater Freiburg between 2003 and 2006. With Varduhi Abrahamyan, Piotr Beczala, Rosa Feola, Quinn Kelsey. During Pari siamo, Kelsey revealed the wide-ranging gamut of colors at his disposal. You could feel the fear, the shame, the pain, and in one brief moment, the anger of what had happened to her. Other notable roles include Ramfis in Aida in Verona and Zurich, Giorgio Germont in La Traviata at La Scala, Colline in La Bohme in Venice, and Sarastro in Die Zauberflte at the Hamburg State Opera. Desperation took over with the subsequent phrases aggressive, accented, and frantic. 2022-23 Season 2023-24 Season In Cinemas At Home On Demand Radio Television Events Tickets 2023 ABT Tickets On Demand Visit Health and Safety Requirements Getting Here Daytime Access Accessibility Dining at the Met Tours What to Expect Exhibitions Discover Videos Podcasts Artists Articles During the trio, he erupted with the firepower that hed displayed in Don Carlo, his voice booming over the orchestral torrent, his phrasing precise and pointed. The opera will mark Morley's return to the Met following her . . The soloists were as good as you could hope for with this opera. His role in Italys cultural and political development has made him an icon in his native country. The rest of her range is solid and she navigates the registers fluidly, though there were moments where the shifts into the higher range were not quite as polished and she sounded a bit stretched. In the Duke's court he is appropriately terrifying, spitting words out with a cynical sneer. Please check if you entered the email address correctly. This isnt all that dissimilar from the new Lucia di Lammermoor production that opened earlier this year; its more subtle, but the visual dissonance is very much the same. April 5, 2022 at 11 a.m. Winter Park Library and Events Center 1052 W Morse Boulevard | Winter Park, FL 32789 . At the close of the duet, his piano singing blended with Feolas almost as one with the cadenza, as noted, spot on through the several runs. For up-to-date casting go back to the previous page. These PDFs do not include cast changes that occurred after the program went to print. Karen Kamensek will conduct the May and June performances of Verdi's Rigoletto, replacing Karel Mark Chichon. The most egregious circumstance however was a more subtle one. Prior to creating OperaWire, DAVID SALAZAR, (Editor-in-Chief) worked as a reporter for Latin Post where he interviewed major opera stars including Placido Domingo, Anna Netrebko, Vittorio Grigolo, Diana Damrau and Rolando Villazon among others. In Act three, the tenor took things up a notch, delivering a spotless rendition of La Donna mobile, each note of the dotted rhythm clear and articulated with vibrant sound. Elsewhere this season, he sings Sarastro at the Vienna State Opera. Francesco Maria Piave (1810-76), Verdi's librettist for Rigoletto, collaborated with him on ten works, including Ernani, La Traviata, La Forza del Destino, and the original versions of Macbethand Simon Boccanegra. Classical Music Opera The Met: "Rigoletto" (Review) Feb. 8 and Feb. 19 at 8, Feb. 12 at 7:30, and Feb. 16 at 1: . In the final Act, Feola drove the quartet dramatically. This first came into prominence during the operas big concertato moment, Ah, siempre tu spingi lo scherzo allestremo where the tempo ramped up to chaotic effect for the singers; it took them a few bars to find themselves back in synch with the conductor. Personally, the climax of his aria, an interpolated high B flat in the middle of an aria thats always on the move, is really hard to pull off smoothly. adesso non ridete? was heavily accented, allowing Kelsey to really express Rigolettos fury. But when he commenced Deh, non parlare al misero, his voice took on a honeyed hue full of yearning. Rigoletto | Opera | Performances, schedule and tickets | The Metropolitan Opera | View more information on Operabase . It will help us make your newsletter content more useful. Kevin Puts'. Cortigiani starts off with just strings, the violins playing triplet sixteenths, the violas and celli answering with their own intermittent triplet sixteenths, and the bass providing a repeated eighth pedal that lends weight and grounding to the scurrying violins. Recent highlights this season include conducting Mozart's Die Zauberflte at Lyric Opera of Chicago, the world premiere of Philip Glass's Alice in Strasbourg, Mozart's Cos fan tutte at Arizona Opera, and concerts with the Orchestre Chambre de Paris and Charlotte Symphony Orchestra. A new cast brings the Met's Rigolettoto life Kevin W Ng, 11th November Three major Metropolitan Opera debuts bring excitement and vocal glamour to this revival of Bartlett Sher's Rigolettoproduction. Verdis Rigoletto is one of my favorites and the use of music to reveal the horrific fact that the Duke is still alive is so chilling, she noted. Throughout the night it seemed that Scappucci was operating on extremes in terms of tempi. Later this season, he sings Lenski in Eugene Onegin at the Met. She has also sung Gilda at the Bavarian State Opera, Lyric Opera of Chicago, Ravenna Festival, and in Rome, Zurich, Turin, and Savona. Premieres Friday, June 17, 2022 at 9 p.m. on KPBS 2 / On demand with PBS Video App. Videos. Curated conversation and digital shorts are also available on PBS social media platforms using #PBSForTheArts. 2022 | 20:00 Rigoletto, Verdi, The Metropolitan Opera | New York City, United States fr. Conductor Daniele Rustioni takes the podium to lead a cast starring Quinn Kelsey in his Met role debut as Rigoletto, Rosa Feola as Gilda, and Piotr Beczaa as the Duke of Mantua. For its first staging of the opera in 17 years, the Met assembled a superb cast which combined with the Metropolitan Opera Chorus and Orchestra under the baton of Yannick . With his big shoulders, big jaw, and his great, shiny Half Dome of a head, Kelsey gives Rigoletto immense presence even before he opens his mouth. ) right before the final duet was almost howled, its effect spine-chilling. The strength of the cast extended all the way to the smaller roles, with Bradley Garvin, terrifying and commanding as Monterone, and Brittany Renee, displaying a megawatt charisma as Countess Ceprano, as the standouts. 2021-2022 Season. We are doing maintenance on the website until approximately 1 am ET Friday, February 10. Once a seeming fixture with the company throughout the early 2000s, he stopped appearing after the 2016 season. 2022 | 19:00 Rigoletto, Verdi, The Metropolitan Opera | New York City, United States ti. When he does, out comes a richly human creature . Last season, he sang the Grand Inquisitor in the Met premiere of the five-act French version of Verdi's Don Carlos and the Ghost of King Hamlet / First Player / Gravedigger in the company premiere of Brett Dean's Hamlet. This was present at the Allegro vivo following Rigolettos Ah no: folia at the end of Pari siamo and then at the start of Addio speranza ed anima. It was present in the middle of Act two Gilda-Rigoletto duet Tutte le feste al tempio with Rigolettos entrance Ah! Roger Hodgman, 53, is director of the Melbourne Theatre Company. Luiz Gazzola Opera Lively. Genre: Opera. Runtime: 210 min. As he rejected her desires for more knowledge, she responded with frustrated arm gestures that delineated the youth and angst of the character. And instead of doing the predictable crescendo from Vieni, e senti to the high B flat on palpitar, Bernheim actually diminuendoed the phrases, luring us in, before springing the high note with an even more intense forte, emphasizing the Dukes manipulative game. These PDFs do not include cast changes that occurred after the program went to print. Metropolitan Opera Announces Cast Change For RIGOLETTO Performances are May 28 and June 1, 4, 8, and 11. by Stephi Wild May. She has also held tenures as deputy music director of Staatsoper Hamburg, interim chief conductor at the Maribor Slovene National Theatre, and first kapellmeister at the Vienna Volksoper. The Royal Opera Season will open with a new production of Verdi's Rigoletto, directed by Oliver Mears, which will be his first production since becoming The Royal Opera's Director of Opera in 2017.The new production will receive its premiere in September 2021, with Music Director Antonio Pappano conducting. Soprano Tamara Wilson portrays the virtuous duchess Elsa, falsely . mia Gilda was spoken, the effect expressing how empty Rigoletto feels in this moment. But when he realized the Duke was still alive, his body contorted, and his sound suddenly dimmed as he wondered what had happened. Beyond the costumes, it's hard to see what Sher has actually done with the purported Weimar inspiration he captures neither the hedonism nor the sense of imminent downfall of the period but it's an attractive, efficient production that will surely be revived for years to come. Il Trittico is comprised of three one act operas; Il Tabarro (The Cloak), Suor Angelica (Sister Angelica), and Gianni Schicchi. Studio: The Metropolitan Opera. Arizona Opera officially announced its 2023/24 Season, featuring four opera productions including a World Premiere in Phoenix and Tucson, as well as the companys inauguralNew Works Festivalin Phoenix, and a new series of community concerts in Tucson. Arizona Operas programming includes something for everyone, from tried-and-true opera lovers to school-aged children and everyone in between. Maestro Daniele Rustioni leads Verdis timeless tragedy reset in 1920s Europe by Tony-winning director Bartlett Sher. During his time at Fordham, he studied abroad at the Jagiellonian University in Poland. Verdi doesnt waste a moment and every single note in the piece plays a crucial role in building its tension and tragedy. But when Gilda falls in love with the man her father loathes, Rigoletto's thirst for vengeance and desperate attempt to stop fate bring about his own tragic . As he remarked on the Duke, his voice became pointed; one could feel the anger boiling over, his voice growing in strength over the tremolo strings. 2022 | 13:00 Rigoletto, Verdi, Written during the most fertile period of Verdis artistic life, the opera resonates with a universality that is frequently called Shakespearean. Rigoletto opens on November 10, with Rosa Feola and Lisette Oropesa sharing the role of Gilda, Aigul Akhmetshina as Maddalena, Benjamin Bernheim and Stephen Costello as the Duke of Mantua, and Quinn Kelsey, Michael Chioldi, and Luca Salsi as Rigoletto. Anthony Tommasini is the chief classical music critic. World premiere: Teatro La Fenice, Venice, 1851A dramatic journey of undeniable force, Rigoletto was immensely popular from its premiere and remains fresh and powerful to this day. PRODUCTION Bartlett Sher SET DESIGNER Michael Yeargan COSTUME DESIGNER Catherine Zuber LIGHTING DESIGNER Donald Holder Composer January 18, 2022. SAS Performing Arts Concert Opera presents the only New York City performance of the Puccini work Il Trittico. If you are using Internet Explorer or other browsers you may encounter problems with certain sections of our website. He has been nominated for 13 Tony Awardswinning in 2008 for South Pacific and 1998 for The Lion Kingin a career featuring more than 50 productions on Broadway. Rigoletto, a cursed court jester of the lustful Duke of Mantua, obsessively protects his daughter, Gilda. MEET THE STARS LUNCHEON. He punctuated the duet with an incredibly potent low F that he sustained while walking off stage all the way through the coda of the passage. dammi coraggio was sung with a glorious piano to forte crescendo that expressed Gildas fear and pain all at once. If you are using Internet Explorer or other browsers you may encounter problems with certain sections of our website. His Chi tha colpita? American lighting designer Donald Holders credits at the Met include the Gershwins Porgy and Bess, Die Zauberflte, Nico Muhlys Two Boys, Otello, and Samson et Dalila. Opera Met Opera's 2022-2023 Season Includes Rene Fleming and Kelli O'Hara in The Hours, Terence Blanchard's Champion, More. His phrasing of il sol dellanima featured a polished legato line, each phrase building from the previous one before blossoming into a sublime high B flat on per te that then melted into an equally impassioned diminuendo on the ensuing dinvidia agli uomini sar per te. The return of this vocal ascent was somehow even more potent than the previous one with the diminuendo even stronger, a sign of the vocal flexibility that Bernheim displayed throughout. Met Opera | April 22, 2023 . Rigoletto (Verdi) The Abduction from the Seraglio (Mozart) The Merry Wives of Windsor (Nicolai) La bohme (Puccini) 1993-1994 Season. 2022 Metropolitan Opera Wiener Staatsoper; 2021 Royal . The collection of #PBSForTheArts programs is available at pbs.org/arts and the PBS Video app. Varduhi Abrahamyan makes her Met debut as Maddalena, and Andrea Mastroni is Sparafucile. Carlos lvarez performs in the title role, alongside Lisette Oropesa and Liparit . He captures the insouciant elegance of the opening scene, with neatly executed turns in Questa o quella, as well as he does the bravado swagger of the final act. Her vocal approach to the role was perfectly aligned to her characterization. A new opera by composer Eric Moe and librettist Rob Handel, The Artwork of the Future, will have its world premiere in a production by Fresh Squeezed Opera in five performances at HERE Performing Arts Center in SoHo on May 13, 14, 16, 18, and 19, 2023. If you are using Internet Explorer or other browsers you may encounter problems with certain sections of our website. Ascolta Patrice Munsel senza limiti su Qobuz e acquista gli album in Hi-Res 24-bit per una qualit sonora senza pari. Audience. She has designed for opera houses around the world, including English National Opera, Washington National Opera, San Francisco Opera, and the Salzburg Festival. American rags, riches and everything in between. His entire duet with Rigoletto in Act one was fascinating, the bass digging into his thick and earthy tone with each phrase. In January 2020, she performed recitals at New York Citys Park Avenue Armory and the Kennedy Center. 2022 | 19:00 Rigoletto, Verdi, The Metropolitan Opera | New York City, United States l. The explosion of sound on Tamo; ripetilo s caro accento built on Feolas previous crescendo on her own Tamo, ramping up the energy of the moment. 2022-12-22 ANNOUNCEMENT Ekaterina Sannikova signs with TACT for General Management British costume designer Catherine Zuber has been designing for productions at the Met since her debut with Bartlett Shers staging of Il Barbiere di Siviglia in 2006. Of course, Scappucci has license to interpret those tempo indications as she sees fit. But the ensuing Act is where her commitment to the character was at its most powerful. You could sense the insecurity she felt upon finding the Duke, her body shifting into a protective shell before allowing herself to be taken by him. The singers, who were all on their A-game, often sounded a bit uncomfortable. The Metropolitan Opera. GREAT PERFORMANCES is on Facebook+ follow @GPerfPBS on Twitter. And its definitely worth checking out. Russian soprano Kristina Mkhitaryan makes her Met role debut as Gilda. His singing had rawness and pointedness, particularly as he poked fun at Ceprano and Monterone. When you have a tenor like this cast had, the choice is made that much more difficult. But the rest of the duet was gloriously sung, with the sopranos fuller sound matching baritone Quinn Kelseys powerful baritone. 17 des. She is a more defiant Gilda than usual, bringing a wonderful darkness and surprising heft in the final act. They felt detached from transitions into them, when they existed (like in Cortigiani). Rigoletto | Opera | Voorstellingen, schema en kaartjes | Gran Teatre del Liceu | Bekijk meer informatie op Operabase Kelsey is impressive in the title role, his hulking, muscular baritone dominating the stage. Soprano Nadine Sierra stars as the self-sacrificing courtesan Violettaone of opera's ultimate heroinesin Michael Mayer's vibrant production of Verdi's beloved tragedy. Mia colomba, lasciarmi non dei!These were sung with the softest piano singing that Kelsey managed the entire evening, his voice but a weeping thread of sound, each time growing softer and more heart-breaking, especially as he held her in his arms. After opening with hushed pianissimo on the opening line, his voice exploded with intensity and desperation before resorting back to another soft repetition of Quel vecchio maledivami! Bitterness ensued during O rabbia! And so we come to the end. During the ensuing scene with Gilda, he was fierce in his defense of Gilda, staring down the other men and ordering them out. He does manage some darker tableaus to fit with the general mood of Rigoletto, but he also relies heavily on the now cliched turntable that so many directors have aped repeatedly on the Met stage. Home Performances Rigoletto. . Even in the lower reaches of this section, his voice retained that gentility, always soft and warm. The music says one thing, the stage says another. His Met repertory has also included Rodolfo in Luisa Miller and La Bohme, Vaudmont in the company premiere of Iolanta, Lenski in Eugene Onegin, the title role of Faust, Edgardo in Lucia di Lammermoor, the Chevalier des Grieux in Manon, Gustavo in Un Ballo in Maschera, and Maurizio in Adriana Lecouvreur. For more information, visit metopera.org. This season at the Met, she also sings Olga in Eugene Onegin. : ','}}, Find The Metropolitan Opera on Facebook (opens new window), Find The Metropolitan Opera on Twitter (opens new window), Find The Metropolitan Opera on Instagram (opens new window). GREAT PERFORMANCES AT THE MET: Rigoletto Preview, "Cortigiani, vil razza dannata" from "Rigoletto", Piotr Beczaa Performs "La donna mobile". Giuseppe Verdi's ever-popular masterpiece returns for a performance starring Lisette Oropesa, Aigul Akhmetshina, Stephen Costello, and Luca Salsi in . But he had a major triumph this year as the Grand Inquisitor in Don Carlos and then Don Carlo with the company, and hes arguably in even finer form here as the deadly assassin. Rigoletto returns in the spring for five performances May 28June 11, 2022. He made his Met debut in 2007 as Arturo in Lucia di Lammermoor, with other roles for the company including Camille de Rosillon in The Merry Widow, Lord Percy in Anna Bolena, Romo in Romo et Juliette, and Alfredo Germont in La Traviata. Later this season, he will sing Wotan in Wagner's Das Rheingold at English National Opera, King Marke in Act III of Wagner's Tristan und Isolde in concert with the Deutsches Symphonie-Orchester Berlin, and Hunding in Wagner's Die Walkre in Naples. Too often, these are underrehearsed affairs, with unimaginative casting and uninspired direction. The Age - Thu, 31 Oct 2019 . Opera splits things up a little differently, so a mezzo is basically in the soprano 2/alto 1 range, while a contralto is an choral alto 2. Her costume designs are currently featured in the new Broadway production of Moulin Rouge!. A new cast brings the Met's Rigolettoto life John Relyea (Sparafucile), Benjamin Bernheim (Duke of Mantua) and Aigul Akhmetshina (Maddalena) Curtis Brown | Met Opera Benjamin Bernheim (Duke of Mantua) and Rosa Feola (Gilda) Curtis Brown | Met Opera Quinn Kelsey (Rigoletto) Curtis Brown | Met Opera 133 subscribers The 2022 Metropolitan Opera production of Giuseppi Verdi's Rigoletto was incredible to watch. He has appeared at many of the worlds leading opera houses and festivals, including Deutsche Oper Berlin, the Vienna State Opera, Lyric Opera of Chicago, San Francisco Opera, Washington National Opera, and the Salzburg Festival. More information is available on the official website of the opera house. Rigoletto is the ninth opera Bartlett Sher has directed at the Met. He remarks how both men are similarly toxic, a comparison that the opera continually draws between all the male characters as the story develops. (Who struck you? Met Opera | April 15, 2023. His voice works beautifully in the acoustic of the Met, filling the auditorium with rich, golden tone, which he is able to bring down to a mere thread of sound. Find The Metropolitan Opera on Facebook (opens new window), Find The Metropolitan Opera on Twitter (opens new window), Find The Metropolitan Opera on Instagram (opens new window), Toll BrothersMetropolitan Opera International Radio Network. This product includes GeoLite2 data created by MaxMind, available from, Guilty pleasures: Yoncheva stars in a new, A fine showing for the 1884 Italian version of, To add a comment, please sign in or register. There was an aggressive nature to his opening scene, almost as if his Rigoletto were always on the defensive in this predatory world. Arizona Operas programming includes something for everyone, from tried-and-true opera lovers to school-aged children and everyone in between. Confusion, unless part of the thematic underpinning of the story, never makes for good storytelling. Tenor Stephen Costello is her self- centered lover Alfredo, alongside baritone Luca Salsi as his disapproving father, and Maestro Daniele Callegari on the podium. But he had a major triumph this year as the Grand Inquisitor in Don Carlos and then . Tony winner Ivo van Hove will also direct Mozart's Don Giovanni. But she eventually found her way back with the cadenza, and the arias coda where her elegant legato line returned us to the initial bliss. Instead, Feolas has greater weight and heft, especially in the middle range where she has brightness but also potency that cuts through. Rigolettos role (which was never quite clear in Las Vegas) is at least back to status quo of Piaves libretto, even if this is yet another transposition. He also holds a dual bachelors from Hofstra University in Film Production and Journalism. 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Review: Amid Omicron, the stage says another Puccini work Il Trittico information on Operabase Duke court. Angst of the character was at its most powerful ; Rigoletto & # ;... Out with a cynical sneer # x27 ; s return to the Met following her Kelsey. You entered the email address correctly gentility, always soft and warm Feolas has weight! Waste a moment and every single note in the final Act, Feola the... The quartet dramatically PERFORMANCES may 28June 11, 2022 Met following her Sher has directed at the Met `` ''! Note in the piece plays a crucial role in Italys cultural and political development has made him an in. Great PERFORMANCES is on Facebook+ follow @ GPerfPBS on Twitter has brightness but potency. Of Mantua, obsessively protects his daughter, Gilda almost howled, effect... Cortigiani ) poked fun at Ceprano and Monterone us make your newsletter content more useful she sang the role Federica. The early 2000s, he stopped appearing after the 2016 season had, the bass digging into thick. And Andrea Mastroni is Sparafucile cursed court jester of the thematic underpinning of the,! She sees fit, unless part of the Opera will mark Morley & # x27 ; s return to character... On a honeyed hue full of yearning follow @ GPerfPBS on Twitter Scappucci was on!

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